Wednesday, June 21, 2017
(October 2004, U.S.)
THE GODFATHER, DO THE RIGHT THING, PULP FICTION; what do they all have in common? The answer is that were you to ask me what I considered to be the single best motion picture of each respective decade, these are the films I would choose. And so, to continue such personal convictions, let me tell you right off the bat that I consider Alexander Payne's SIDEWAYS to be the single best motion picture of the 2000s. I have to say that wasn't a very difficult decision in a decade that was filled to-the-brim with comic book superhero franchise movies that still (unfortunately) continues into today.
Still, what's the appeal? An entire film about wine? A depressing film about two unsuccessful men in their forties who appear to be stuck in the middle of their lives? Well, I suppose that's the "half empty" way to look at the bottle here (pun totally intended!). At it's most heartfelt and optimistic level, SIDEWAYS is the traditional road movie between two buddies who have know each other since college. Miles Raymond (played by Paul Paul Giamatti) is a bored middle school English teacher, a failed writer and a depressed divorcee whose only real optimistic outlook on life is his proud position of being an aficionado of good wine. His best friend Jack Cole (played by Thomas Haden Church) is a once aspiring actor who's now at the point in his life where he's about to be married and subsequently, enter his future father-in-law's real estate business. With one week to go before Jack's wedding, he and Miles hit the road for a trip through California's Santa Ynez Valley wine country. Miles' goal for the week is to drink good wine, eat good food, play golf and send his best friend out in style. Jack, on the other hand, is out to satisfy his need for one last sexual fling before tying the knot and settling into domestic life.
Again, we're forced to ask ourselves, a movie about wine? The answer to that question, in my opinion, manages to pay off in an early scene where Miles gives Jack his first real lesson in wine tasting. This scene takes its time in that we as the audience are taken through the steps of what makes a good glass of wine so pleasurable. Miles teaches us, too, and if we're patient enough, we listen and we learn. In between the wine tasting and the wine knowledge we acquire along the way, we watch the friendship between these two men slowly deteriorate with each passing day as Jack pursues his quest for pussy from attractive local wine pourer Stephanie (played by Sandra Oh) while Miles is left behind in the dust, despite his attraction to local waitress at The Hitching Post II (apparently a real life popular California restaurant) Maya (played by Virginia Madsen), who's also a lover of wine. Even as Miles tries to work up enough courage to get closer to Maya, he's still eating away at himself over his failed marriage and the prospect of his book never getting published (I can personally relate to the fear of that last one). Miles clings to his appreciation and conviction of wine almost as a life-saving weapon against everything else in life he cannot control. While he can tell you everything that's right and perfect about Pinot noir and everything that's so damn wrong with Merlot (and the people that drink it!), he cannot fathom his own heart and ambitions. Even when he's describing in detail, the reasons he loves Pinot so much; the grape's thin skin, its need for constant care and attention, and its struggle to survive, it's easy to recognize that Miles is very likely describing himself and his own life, as well. Still, Paul Giamatti has never been an actor that I equate with joy and happiness. The man has a true talent for portraying the pains and anguishes of life. We can not only relate to, but can also almost respect his need to express his rage and frustration upon learning that his manuscript has been rejected (again) and lashes out by defiantly drinking the entire spit bucket of red wine before him. Hey, life sucks sometimes, and sometimes the only solution is wine...lots of wine!
But even as SIDEWAYS attempts to show us its own "slice of life" through the eyes of four imperfect wine loving people, it also successfully remembers life's hilarity and insanity. Upon having lost Stephanie forever once she learns he's getting married, Jack has no trouble moving on and fucking some overweight redneck waitress at the local rib joint. This time, though, he's literally busted butt naked when he's discovered by her husband with, as he puts it, "My dick in his wife's ass!". And as Miles always seems to be the one bearing the bunt of Jack's bullshit, it's hilarious to watch Miles sneak into the waitress's house to retrieve Jack's wallet that contained two custom-made wedding rings. This little ring rescue and break-in seems just the perfect conclusion to a week that's been filled with life's unanswered questions and thought-provoking issues...all the while in the hands of those who fill their glasses and contemplate their lives through a bottle of red or a bottle of white (whatever mood they're in tonight).
Movies, when done right, can influence our lives, emotions and actions. That's doesn't necessarily disappear with age and maturity. Speaking personally, I have, at times, succumb to the influence of movies and its stars. When I was a kid in the '70s, I wanted to learn to dance like John Travolta after SATURDAY NIGHT FEVER and GREASE. In the '80s, I ran right out and spent my hard-earned money on a pair of Rayban aviator sunglasses after seeing Tom Cruise in TOP GUN (twice!). In the summer of 2005, after having seen and purchased SIDEWAYS, I fancied myself as someone who now loved wine more than he had before the movie. My wife and I toured several wineries in the Hamptons and I took the time to put more care and attention into the process of each and every glass of wine (I prefer red) I savored; with good food, with dark chocolate, whatever. Today, I still can't help but sniff what's in my glass before each sip. Wine, unlike other forms of alcohol, requires such care and attention from the time it's chosen off the shelf, to the food that will accompany it, to the way it looks in your glass and feels going down your throat. Because in a world filled with absolute crap, wine is one of those few things that enables us to stop for a moment and envision life's (few) pleasures that surround its ultimate flavor.
So, who's ready for a drink??
Favorite line or dialogue:
Maya Randall: "I like to think about the life of wine."
Miles Raymond: "Yeah."
Maya: "How it's a living thing. I like to think about what was going on the year the grapes were growing; how the sun was shining; if it rained. I like to think about all the people who tended and picked the grapes. And if it's an old wine, how many of them must be dead by now. I like how wine continues to evolve, like if I opened a bottle of wine today it would taste different than if I'd opened it on any other day, because a bottle of wine is actually alive. And it's constantly evolving and gaining complexity. That is, until it peaks, like your '61. And then it begins its steady, inevitable decline."
Maya: "And it tastes so fucking good!"
Oh, yeah...I hear you, Maya!